Drips
Drips symbolize injury, pain, and the origin of emotional wounds—visual traces of what has bled through, internally or externally.
I am a mixed-media artist specializing in 2D and 3D illustrative work. My practice is grounded in themes of mental health, sexual trauma, behavioral struggles, and suicide awareness. The subjects I explore can be intense, graphic, or emotionally charged, and my work often carries an informal content advisory. These pieces are intended to surface difficult emotions, challenge silence, and create space for conversations that are often avoided or repressed.
My work visually articulates the internal friction between lived emotional turmoil and the outward pressure to appear composed. I create pieces that respond to the quiet, hidden battles behind the phrase “I’m fine”, examining the psychological and cultural forces that encourage silence around trauma and mental health.
I also explore identity as a nonlinear and fluid concept. I choose not to define myself through labels or fixed categories; instead, my work reflects the shifting nature of selfhood and the constant renegotiation of experience, memory, and perception.
My practice is driven by narratives—both personal and observed. Many of my pieces respond directly to trauma and mental health struggles experienced by myself or those around me. Through my work, I address a world that often invalidates emotional boundaries, minimizes suffering, and expects victims to remain quiet. My art becomes a physical manifestation of emotions that people struggle to articulate, offering a visual vocabulary for the unspoken.
I create intuitively. I do not sketch, outline, or pre-plan compositions. Instead, I hold an image in my mind—sometimes for days or weeks—and execute the full piece in a single day or within the week. My process begins with a feeling: an emotional anchor that dictates the colors, textures, and symbols used.
I work with unforgiving materials and experimental layering. Textures often serve as the foundation of a piece, even if they become buried beneath the final composition.
Drips symbolize injury, pain, and the origin of emotional wounds—visual traces of what has bled through, internally or externally.
Gunshot-like forms represent deep psychological suffering, signaling ruptures that are both violent and often invisible to others.
Flowers stand in for innocence, purity, and fragility—the parts of ourselves that feel soft, unguarded, or untouched.
Flowers paired with wounds or ruptures reflect innocence that has been harmed or taken, confronting the loss of safety and trust.
Repetitive, meditative patterns mark moments of deep focus, grounding, or mental reset within otherwise chaotic emotional terrain.
Distorted self-portrait reductions examine masked expressions and forced smiles, exploring how distress is performed or concealed.
The name Original Broke Artist began as a tongue-in-cheek response to the constant refrain that choosing art as a career meant choosing financial instability. Rather than reject the label, I embraced it. Over time, the name evolved into a personal philosophy.
To me, value in art is rooted not in monetary gain but in emotional impact and human connection. If a viewer feels seen, validated, or challenged by my work, that connection has more significance than sales or recognition. Original Broke Artist acknowledges that meaning is more important than profit.
My artistic practice extends into community work, youth engagement, and advocacy. I design promotional materials, coordinate exhibitions, and create opportunities for emerging artists to gain professional experience and build their portfolios.
One of my most meaningful projects was organizing Amor y Arte, a Mother’s Day exhibition that highlighted local artists and offered many of them their first experience showing work to the public. My piece I’m Fine was selected for CSUN’s Pictures & Words Showcase (2024), where it resonated with viewers for its portrayal of emotional suppression and internal struggle.
My goal is not to create comforting or purely decorative work. I aim to provoke reflection, discomfort, recognition, or emotional resonance. Whether a viewer feels uneasy, challenged, connected, or introspective, any authentic reaction is meaningful.
My intention is always to create tangible representations of internal emotional states—especially those that people struggle to acknowledge or express.
I am actively developing new bodies of work and planning future exhibitions. I aim to participate in additional showcases and continue building community-based arts events, including the next annual Amor y Arte exhibition.
I am currently pursuing my Bachelor of Fine Arts at California State University, Northridge, with an expected graduation in Spring 2026.